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Magic in Stories For Younger Readers - Part Eleven - Magical Objects

By Simon Rose
Magical objects abound in fantasy stories and take a wide variety of forms. They are usually endowed with fabulous powers which can affect memory, cast illusions, disguise people or objects by transforming them into something else, stop or turn back time and so on. The origin of the object is often shrouded in mystery and if the creator is actually known, he or she is rarely mentioned. It is also naturally important that the creator of the artifact is not the only person able to use the object, otherwise it would be a largely pointless addition to the story.

Sometimes the object is extremely powerful and highly dangerous if it falls into the wrong hands. Perhaps it is the only object capable of defeating the hero or rendering him defenseless. It may be the means by which the chief villain will be able to conquer the entire world, thus triggering a quest to either obtain the object or destroy it as happens with the ring of power in Lord of the Rings, but has also been a very common theme in many stories since then and continues to be used heavily in fantasy tales in one form or another.

Lord of the Rings features other magical objects such the sword wielded by Frodo which can detect the oncoming presence of orcs, while fans of Harry Potter are familiar with Harry's invisibility cloak and his marauder's map, by which he can observe the movements of others in the corridors of Hogwarts. Wands are wielded by all the leading characters in the Harry Potter series and Gandalf in Lord of the Rings has his trusty staff. Other fantasy tales are imbued with objects of a similar nature.

Although the lead character in a fantasy tale may be endowed with magical abilities or have the power to cast spells and enchantments, the fact that a wand, staff or other means is used to help cast the spell also helps the story be more believable. The use of an object to help them, an aid to magic if you like, makes opposition to the magical character, whether good or bad, much more feasible. If the staff or wand is lost or damaged, the wizard is either helpless or at least less powerful, making the story more interesting by adding conflict.

Simon Rose is the author of science fiction and fantasy novels for children, including The Alchemist's Portrait, The Sorcerer's Letterbox, The Clone Conspiracy, The Emerald Curse, The Heretic's Tomb and The Doomsday Mask. He offers a wide variety of workshops, presentations and Author in Residence programs for schools and libraries around the world, covering such topics as where ideas come from, story structure, editing and revision, character development, time travel stories, history and research and more. He is also available for presentations, workshops and public speaking engagements with a wide range of adult audiences, offers creative services designed for writers, including editing, critiquing and manuscript evaluation and also freelance writing services, including website content and copywriting, for the business community. Details of school and library programs, plus online readings, excerpts from his books, reviews, and reader, student and teacher comments may be found at http://www.simon-rose.com/ You may also visit his blog at http://simon-rose.blogspot.com/
 








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